Unbroken Fragments
It is still dark when I exit
my slumber. This bedroom, the one I have woken up to for so many years,
is yet to be freed from the cold shadows of morning, and the blaring silence is
heavy and rings in every crevice. I worry for today. I am in
dangerous territory, and I can feel that this disorder will be quite volatile
here. I brush the scars on my neck: Despite all this body has been
through, it is necessary to attend this family reunion. For the sake of
our dissociative identity disorder, we must address its origins.
It has been almost twenty
years since leaving this house for college. Sitting up in bed now,
wearing an old bloodstained nightgown, I gaze into the stillness of the
enclosed room: the pink floral curtains, the pink floral bed sheets, the
lavender-tinted rug; all is grey in the chill of dawn. On the bookshelf
across the room, I can decipher the familiar outline of teddy bears. And
the words of Virginia Woolf diffuse into my thoughts as she illustrates the
coldness of morning air, like “the kiss of a wave; chill and sharp and yet…
solemn…”
The gown sags on my bony
shoulders where it once hugged my flesh.
When I reach for the worn
journal on the crowded nightstand, the pink clock reads 6:52 AM. It is earlier than usual. Perhaps
the dreams have disturbed my slumber once again.
I cradle the journal so
delicately that it almost floats in my hands. But even as distant as I
strain to make myself, I hear a young girl’s virulent sobbing in my head again.
I turn to a page where the ink hasn’t stained it too severely and,
despite the darkness, begin the first journal entry of the day: I will not let
any fears or desires get in the way of what could be an important step to
recovery. You may all claim that I fail to understand what has
happened and how any of you feel, but this approach applies to all hardships.
Please put in some effort today; that is all I—
I am holding that useless
journal again, and I have already crumpled the page with Renee’s new entry.
I listen to the soft pit pat
of tears as they make her stupid idea bleed. It says something about
understanding and effort. Yeah, right, Renee.
I don’t know why, but I flip
through the journal again. I catch some familiar sentences, like, “Don’t
make me tell you,” and “Why am I bleeding again?” and the one I hated the most,
“Help.” Turning to the first page, I
reread the names of all the people in this body.
I should have just stained
the whole thing with ink.
I grip the journal so
fiercely that it bends and trembles. Renee would probably say something
meaningless, like, “Close that journal and close the
doors of opportunity.” She’s just making everything worse!
I throw down the stupid journal.
I spring from the bed, storm over to the bookshelf, and grab my two
favorite teddy bears, Harry and Jessica.
We sit down on the purple
rug, and they both look at me with concerned expressions as we think to each
other.
They hug me warmly as I
stroke their heads.
Sarah, are you okay?
No, Jessica.
Everything’s horrible. I don’t belong in this body. She nuzzles my neck, and it
tickles. I’m only nine years old and I look like a woman!
I don’t want you to be sad.
I know, I know, Harry. It’s just—I keep telling you
guys this, but it’s true: You don’t want the memories that I have.
But what happened? they both ask.
I’m always patient with them. Do you see these scars?
They touch my neck gingerly. A bad man hurt me a lot a long time
ago. And no one did anything about it. The worst part was that I
couldn’t say anything. But you two will never go through that. I’ll
protect you.
They hug me silently as I cry.
I freeze when I hear shuffling and the floor creak outside the
bedroom door.
Please don’t be her.
Please don’t be her.
The door screams as a gangly woman, the woman who had done
nothing, comes in.
Of
course I never get my way.
She doesn’t even turn on the
light. “Elaine? I’m making breakfast, hon,” she says quietly.
No! No, no, no, no, no! “It’s
Sarah,” I mumble, ignoring the sour taste of my breath. I know that she
could never hear that.
“What?” she asks innocently.
I hate it. I hate it.
“I’m SARAH!” I exclaim.
I have no patience for her, the woman whose husband… whose husband…
She’s already turning around.
“She’s like that again,” she whispers. And she closes the screaming
door and walks away.
Incredible anger rushes in.
“YOU DID NOTHING!” I finally yell, over and over and over again. I
rub and scratch the scars on my neck and on my back. But it’s not like I
can just rip them out. It never works.
I shut my eyes. Don’t
make me stay here.
I open my eyes in malaise and
with shivers down my sides. My hands are resting on the hot scars on my
neck. Two limp teddy bears gaze at me
blankly.
I have forgotten the
sensation of waking up in a bed and just laying there in a slow heartbeat,
floating between life and death. I figure the dreams brought about
another alter again.
The sting
of every whipping, of every moment of abuse, has carried on much longer than I
could have ever imagined.
So long ago was I simply an
eight-year-old girl. There were no scars then. There were no deep voids
in my memory.
I shudder again. So
long ago…
I have been trudging downhill
for so many years, and the upward path to escape has become too steep for
anyone to climb.
I am Elaine. I am
stuck.
To those whom I have hurt in
my life, pardon my existence.
I am Elaine, a mistake, and I
need to be discarded and renewed.
Our journal has been thrown
on the floor. Turning to a relatively clean page, I begin a new entry: The bruises are gone. But I can still feel.
And it hurts.
The room is now glowing in
the presence of the morning. But even as my chills fade, the sunlight is
still cold and seems to do nothing more than saturate my vision.
This was amazing! The descriptive language throughout the story really brought you into the setting, even if only for a short time, and gave you a sense of what it was like.
ReplyDeleteThe escaping into the conversation with the Teddy Bears, Harry and Jessica, was an extremely well written section of this and was a light.
The ending ties the story very well together. Truly amazing.
Awesome job with the sensory detail and imagery! I was hooked from the very beginning. I love how throughout the story you really begin to understand the character, and learn so much about her. It almost feels like you are right there with her, and it conveys all of her emotions really well. You also did a great job developing the relationship between the characters through dialogue, without directly explaining it.
ReplyDeleteThis was written so well that it feels like this is all a real story. The way you conveyed the emotion and built up tension was amazing, and it wasn't that you were telling the reader how to feel, instead the way you wrote it was enough to show. Throughout reading this I could feel the suspense and the pain.
ReplyDeleteThe way that you showed her multiple personalities was amazing and how she talks to herself and to her teddy bears, but yet through it all it flowed perfectly and the way she talked made it seem normal. The character development was just splendid.
The character development is pretty next level in this. I liked how we got to know Sarah/Elaine.
ReplyDeleteI also loved the personification of the bears. It was a really effective means to get to know Sarah/Elaine through dialogue.
I really liked how the imagery captured the story! The emotion and tension in it kept me wanting to read on, and the character too. I just loved the fact that she felt so alone that she started talking to objects who she knew wouldn't respond, but that she guessed their thoughts anyway to feel surrounded. Overall, this was a treat to read.
ReplyDelete